| Viewing Single Post From: An American in Paris (1951) | |
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| Frank Hale | May 6 2009, 02:15 PM |
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Balcony Gang, Foist Class
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I merely meant that he had a troubled track record, so much so that personality issues, rather than sexual orientation, might have been responsible. Off the top of my head, for example, didn’t Lubitsch kick him off One Hour With You? I didn't mean it as a slam, since I like his work also. As to Visconti vs. Antonioni, you’re making a subjective, artistic judgment. I’m saying that bottom line considerations would rule (and I have no idea who was better box office without doing some research.) There must be a lot of counter-examples of people who were “gay” yet had long careers. Rock Hudson? [I’m putting “gay” in quotes as a futile protest against the subornation of this poor, formerly innocent word.] |
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| An American in Paris (1951) · Singin' and Dancin' | |




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4:17 PM Nov 27