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Viewing Single Post From: An American in Paris (1951)
CliffClaven
Balcony Gang, Foist Class
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Hacking up films in the name of "pacing" (and/or enabling theaters to squeeze in an extra showing per day) is a Hollywood tradition that transcends bigotry. It's a low-cost way for executives to claim a creative contribution after the work is finished, and to claim it was a piece of junk before their brilliant executive work.

Sometimes producers would go in and have scenes reshot or added, but more often it was just a matter of clipping.

The one reversal I know of is Disney's "Pollyanna". Director David Swift claims he desperately wanted to trim some things, but Disney was so enamored of the film he wouldn't allow the cuts.
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An American in Paris (1951) · Singin' and Dancin'