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CliffClaven
Balcony Gang, Foist Class
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We probably should try to draw a line seperating noirs that aren't actually mysteries. Maltese Falcon and Big Sleep both at least begin as whodunits, but Out of the Past doesn't have the required can-you-solve-it mystery.

That said, I'm going to throw in a few curves:

Cat and the Canary and Ghost Breakers -- Bob Hope wisecracking through murder plots. The first is a remake of a great silent mystery/comedy; the second is a clone that was remade itself by Martin and Lewis as Scared Stiff.

Who Done It? and Abbott and Costello Meet the Killer, Boris Karloff -- Likewise, but with Bud and Lou losing the plot for long stretches of slapstick. In the latter, Boris is actually just one suspect in the case -- but a flashy one. The former is not to be confused with Whodunit, a pre-Angels Benny Hill comedy that's actually more of a spy spoof.

The Verdict -- Sidney Greenstreet (a disgraced Scotland Yard inspector) and Peter Lorre (a playboy artist and murder buff) in gaslight London. It looks and sounds like an ordinary locked-room murder with a short suspect list, but the story is really about some more complicated issues.

Lady in a Train -- Singer Deanna Durbin plays a bit sexier than usual as a flighty blonde who sees a murder from a train window (paging Miss Marple). You're never sure if you're laughing at this one or with it -- they seem to mock the whole notion of working in songs for Durbin -- but it is entertaining.

The Black Cat -- A 1941 Universal B with Bela Lugosi as a butler who might have done it and Basil Rathbone as a suspect who mocks the hero by declaring, "Now he thinks he's Sherlock Holmes!"

Spellbound -- Hitchcock really wasn't a whodunit man -- usually there's suspense because you know damn well who the killer is -- but this qualifies because there's a puzzle and a killer.
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What are the best 30's mysteries? · Who Done It?